In Vermeer’s paintings, the world is much larger than we imagined and yet somehow deep, meaningful, and magical.

Joan Brown resented the easy commodification of her work, and the incessant demand for her to create something just so others could own it.

In the work of Rubens, painter Anthony Daley finds correspondences of color that can carry expressive meanings abstractly.

This week, feline cinematography, two writers on Salman Rushdie, your guide to Valentine’s Day cards, and what happened to the documentary industry?

A new exhibition at Manhattan’s Center for Italian Modern Art looks at the cross-pollination between avant-garde art and commercial posters in post-WWII Italy.

What distinguishes Ledgerwood’s work from the earlier generation of women artists working in the domain of Pattern and Decoration is its bluntness and humor.

A small but impactful exhibition at the Utah Museum of Contemporary Art complicates questions of identity and the canon.

The semi-durational installation The Mountains Wore Down to the Valleys poetically frames the challenges of the pandemic, and more.

LA-based artists Julie Weitz and Jill Spector are reimagining the traditional Jewish garment to include a wide spectrum of identities.

The 1969 exhibition 5 + 1, and now Revisiting 5 + 1, are reminders that the history of Black Art in the United States is diverse rather than monolithic.

The artist’s solo US museum debut at the Baltimore Museum of Art is a contemptuous, at times satirical, take on oppression that gives way to a new history.

Who tells a tale adds a tail: Latin America and contemporary art explores contemporary Latin American art without conforming to external expectations.

Simulation Sketchbook takes as its starting point the reality that digital artists, like all artists, sketch out their work as well.

How does a selective competition fit with the contemporary art world’s aspirations toward greater inclusivity?

“Dignity of Earth and Sky,” unveiled in 2016, raises questions about who should depict Native people and how they should be portrayed.

In this online exhibition, Indigenous artists reclaim realities long denied them by US and Canadian federal governments — including moments of collective reverie.

With two exhibitions at SoFi Stadium, the Kinsey African American Art & History Collection seeks to engage a different art audience.

The works that best exemplify a uniquely German grotesque in Reexamining the Grotesque are those that reflect the war and Weimar years.

Nickson's interests lie in the individual’s place in a world shaped by immensities of land and water, sky and cloud.

Miguel Calderón examines class, violence, and corruption in Mexican society with macabre, irreverent humor.

The works spanned a variety of media, showcasing the diversity of artmaking and image production that supplements a revolution.

For this year’s edition of the San Francisco festival, 16 Latina and Chinese women designed and hand-sewed flags that tell their story.

Robert Legorreta, also known as “Cyclona,” discusses the origins of his performance art and ongoing political activism.

How do we consider land-inspired art in an age when huge swaths of our shared world are being clear cut, mined, drilled, and desertified?

Hartung’s work most likely didn’t go over well in the heyday of conceptualism, earth art, and the literal use of materials.

Sea View, conceived by Jorge Pardo as both an artwork and a residence, embraced the dissolution of borders between disciplines.

Manhattan now has its own, downscaled version of the artist's famous Chicago sculpture, oddly squished under a luxury condo tower.

This week, AP Style Twitter goes wild, the "enshittification" of TikTok, and did people actually come flooding back to New York City after COVID?

The French painter felt he had to rise to the challenge of one question above all things else: What exactly is it to be a modern artist?

Philipsz's haunting sound and video artworks serve as a poignant witness to the lives and artistry of victims of the Holocaust.

Passamaquoddy citizen Chris Newell is imparting his knowledge of the Wabanaki Confederacy to advise on the Portland Museum of Art’s expansion.

The artist’s site-specific museum exhibition Three Parallels glows with choreographed colored light.

In Seongmin Ahn's paintings, it is not our past we are looking at but our possible future.

Born in Shiraz, Sokhanvari fled Iran as a child a year before the Revolution and has devoted her artistic practice to the country she left behind.

This week, artist studios in the streets of Manhattan, a Texas high school, a Brooklyn apartment, and more.

Your list of must-see, fun, insightful, and very New York art events this month, including Ed Ruscha, Nina Katchadourian, Luis Camnitzer, Martha Edelheit, and more.

Asawa’s life masks do not keep count of past or future losses.

Amid a worsening inflation crisis, Sergio Guillermo Diaz’s banknote artworks are a poignant symbol of Argentinian resilience. 

Al-Hadid’s new mosaic features the famed clock that hung at the entrance of the original station until the building was demolished in the 1960s.

Your list of must-see, fun, insightful, and very Los Angeles art events this month, including Alicia Piller, Brad Phillips, Mulyana, the MexiCali Biennial, and more.

Her solo exhibition at the Los Angeles institution demonstrates how natural light can turn an overlooked, everyday setting into a sublime landscape.

Nicola López and Paula Wilson’s exhibition Becoming Land considers anthropocentric relationships with New Mexico’s desert landscapes.

Moving too fast on your commute, looking out of the corner of your eye one second too late, and you might miss HOTTEA’s yarn installations.

Peruvian history is a contentious subject, and the authorities in charge of writing its first drafts should not be taken at their word.

A little detail in an artwork can reveal that sometimes what is right on the surface can change our understanding of the whole.

Oh Shit! retraces the historical arc of feces from ancient Rome to the sewage challenges and potential innovations of the 21st century.

How two beloved institutions showcase and support artists working outside of the mainstream art world.

As art history buffs on the app have pointed out, both movements attribute meaning to the meaningless.

This week, blonde hair supremacy, Salman Rushdie's new novel, and why do boutique shops all look the same?

The artist’s works resonate in West Texas, where the story of dehumanized and exploited migrant laborers is tangible and ever-present.