I love this line in Leon Nefayk’s latest article in the New York Observer, “Don’t Call It An Art Fair!”
Welcome to the New York art world in 2010, where it’s never about the money, even when it is.
How very true. And my second favorite line is from and about Elizabeth Dee (of the Elizabeth Dee Gallery):
“Trust me, if you go to the Armory right now, it’s just like people madly throwing up stuff on shitty walls,” said Ms. Dee, who said she will have a booth at the Armory but promised that it would function as a critique of the fair system.
Yeah, yeah. Everything is trying to be a critique nowadays, maybe it helps us all feel less dirty. And what the hell is up with someone comparing Dee with Warhol? Someone will have to explain that to me.
Last thing, wasn’t Dee she part of the go-go gilded age of visual art she is now calling “intellectually bankrupt?” The article doesn’t mention if she regrets her role in making it that way, or maybe that was all a critique or performance piece she never let us know about? WOW … maybe she is Warhol … or something.
The Latest
Basking in Vermeer’s Light at Rijksmuseum
In Vermeer’s paintings, the world is much larger than we imagined and yet somehow deep, meaningful, and magical.
The Art World “Darling” Who Went Rogue
Joan Brown resented the easy commodification of her work, and the incessant demand for her to create something just so others could own it.
Tulsa Artist Fellowship Calls for Artists and Arts Workers of All Disciplines
Ten awardees will receive a total of more than $1.95 million in support and resources in Tulsa, Oklahoma.
How Anthony Daley Abstracts Rubens
In the work of Rubens, painter Anthony Daley finds correspondences of color that can carry expressive meanings abstractly.
Native Filmmakers Decolonize the Screen
“Only Indigenous voices can tell their stories with dimensionality, and the tools to make that happen are incredibly accessible,” says film director Christian Rozier.
Pedro Reyes Explores Disarmament in DIRECT ACTION at SITE Santa Fe
The Mexican artist confronts gun violence and nuclear power through sculpture, print, performance, and video work.
Netflix Forgot to Include Puerto Ricans in Production of Reggaeton Show
Critics say the new comedy series Neon was written, directed, and produced by non-Puerto Ricans.
It Was No Pearl Earring, Friends
The pearl earring in Johannes Vermeer’s famous masterpiece was likely a fake, researchers say.
Call for Applications: Inspiration Lab Artists-in-Residence at University of the Arts
Ten artists will receive studio space and access to faculty, staff, students, workshops, and programming at an arts institution in the heart of Philadelphia.
Hirshhorn’s New Reality Show Looks for America’s Next Top Artist
Seven artists will compete for a cash prize and a chance to exhibit their work at the Smithsonian’s Hirshhorn Museum.
Indiana School Catches Heat for Plan to Deaccession Works
Top museums organizations condemned the Brauer Museum of Art’s plan to sell major artworks to fund the construction of new dorms.
Onsite Gallery Presents more-than-human
The media artworks in this show at Toronto’s OCAD University tell a tale of symbiosis, intersections, and more-than-human relationality.
New Hampshire Bakery Sues Town to Save Pastries Mural
The fight over the mural, painted by high school students, evolved into a First Amendment case.
US Museums Reduce Emissions With Help From Frankenthaler Foundation
Art museums and schools are encouraged to apply for the grants.